Radiance in Uncontrollable Worlds
An animated sculptural opera.

Introduction

Radiance in Uncontrollable Worlds was envisioned as a series of sculptures to produce a still motion animated video. In still motion video, each shot captures a separate image where the object being videoed does not move or change, unlike stop motion, where the object being shot is slowly changed.

This still motion video is the product of two different but equal art forms – sculpture and video. Each sculpture is a work of art in itself while the video expands and activates the narrative of the sculptures. The combination of the two extends the reach of both media.

The sculptures provide a greater deal of information with their volume and the opportunity to study their complexities in detail. Each piece is created to articulate its vignette, enhancing the overall theme of the work. The video in particular expands the reach of physical sculptures as it can be dissimilated to a wider audience by the use of social media. 

Afterword

In the excitement of participating in the new possibilities opened by the combination of video and ceramics,it is easy to miss the depth of research and the breadth of art history these pieces contain.

Even with just a quick look at the pieces, the viewer realizes how much effort the artist has put into her study of proportions and anatomy. But outweighing this is MacLachlan’s knowledge of the history of classical sculpture which she has utilized in this series. She has referenced work ranging from the classical Greek sculpture of the Lacoon, through later Michelangelo, Giambologna, Bernini, onward to the relief by Francois Rude on the Arc de Triomphe.

These artists have all created work with dynamic twisting movements that MacLachlan has interpreted to create the action her tale requires. The level of craftsmanship is so high one does not notice it the first time one looks at the work, as the viewer is so caught up in the narrative. But the skill of the artist is what one keeps coming back to admire.

Jonathan Smith MFA (University of Chicago)

Permanent Collection Curator

Photo credits:
Brett Long
Ian MacLeod